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Vous avez sélectionné:
Let's Be Friends Again
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Let's Be Friends Again (accompaniment and lead sheet)
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.893850 Composed by David Kai. C…
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Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.893850 Composed by David Kai. Children,Christian,Sacred. Score. 5 pages. David Kai #5322033. Published by David Kai (A0.893850). A fun duet on the subject of forgiveness. Scripture references: 1 John 4:20, Matthew 18:21-22With the purchase of this music, you may make copies of the lead sheet or lyrics for your church school or choir. Please report any congregational use to CCLI or One License.For more information, go to:www.sites.google.com/site/davidwkaismusic Letâs Be Friends Again by David Kai ©1997(A duet: Voice 1: regular font Voice 2: italics Both voices: bold)Iâm sorry that I lost your ball, Iâm sorry that I broke your pencil,Sorry we were both so angry, Letâs be friends again.Iâm sorry that I called you names, Iâm sorry I insulted your iguana,Sorry we were both so angry, Letâs be friends again. For God wants us to live, forgiving one another,Itâs hard to love a God we canât see if we canât start by loving each other.Iâm sorry that I spilled my drink On top of my new magazine!Sorry we were both so angry, Letâs be friends, until the end, Oh letâs be friends again.
$4.00
3.73 €
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Piano, Voix et Guitare
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David Kai
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Let's Be Friends Again
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David Kai
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SheetMusicPlus
Ode to My Savior Beginner Trumpet Trio
Brass Ensemble Trumpet - Level 1 - Digital Download SKU: A0.1079739 Composed by Edd…
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Brass Ensemble Trumpet - Level 1 - Digital Download SKU: A0.1079739 Composed by Eddie Lewis. Classical,Instructional,Sacred. Score and parts. 6 pages. Tiger Music #683926. Published by Tiger Music (A0.1079739). I have said this in the description for other pieces, but itâs worth mentioning again. I believe that trumpet students should begin performing from the start of their careers. The problem with this belief is that there isnât much good music written for the beginners to perform. Most of what is published is âdumbed downâ and doesnât sound like real music. I have been trying to fill that cap by composing pieces for the beginners that I would be proud to perform in public. My objective with these compositions is to write music that sounds like real music, but functions within the limitations of the beginnersâ trumpet skills. My first compositions of this nature were the three bird solos, Bird March, Feathered Friends and The Purple Parrot (which I let my then current students name). One of those students performed the Bird March solo at a school assembly only three or four months after she started playing the trumpet. That student eventually quit trumpet to pursue a busy performance career in theater (she was an elementary school student) but performing the Bird March for her fellow students is a memory she will always fondly look back on. That is part of why performing early in the learning process is so important. You donât know when students will continue, and which ones will not. For those students whose trumpet careers end up being no longer than a year, the one or two performances they have in that year are all they will have to look back on. Unfortunately, those who do not perform at all will only ever remember the drudgery of pointless practice and rehearsals. But thereâs more to my early performance philosophy than just that. For those students who do continue their trumpet careers for many years, the earlier performances have a mental benefit that cannot be replaced in any other way. Their future progress on the trumpet is greatly enhanced by each performance they present in the first two years of their trumpet careers.
$5.08
4.74 €
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Eddie Lewis
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Ode to My Savior Beginner Trumpet Trio
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Tiger Music
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SheetMusicPlus
Larry Williams Compositions- The Guitar Book
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but Iâd still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or â Heaven forbid- something that maybe we ourselves wrote? Or some âunknown guy.â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Letâs face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying âthey donât write âem like that anymore,â are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isnât that pioneering spirit just plain olâ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. Itâs climbing the mountain simply because it is there. So, for right now, Iâm that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. Itâs what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.66 €
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Guitare
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Larry Williams
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Larry Williams Compositions- The Guitar Book
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Larry Andrew Williams
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SheetMusicPlus
Here's to His-Her Health
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.996399 Composed by R R Bea…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.996399 Composed by R R Bealey & J Randle-Fletcher. Arranged by Jay Dearling. Contemporary. Octavo. 2 pages. Jay Dearling #6402243. Published by Jay Dearling (A0.996399). Created for brethren societies for welcoming or thanking their leader. The verses are many and, over the years, have become intermingled and amended to suit situations. Many verses can be found on the internet. An optional link has been created for situations where the melody singer may move around the room and wish to return to a start point.An alternative version for brethren societies to express their gratitude to their wives and girlfriends on âLadies Nightâ for supporting their partners in their society activities. Again, the words vary and are amended to suit situations. Many verses can be found on the internet.Further details can be found on www.jaydeemusic.me.uk
$1.99
1.86 €
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Chorale TTBB
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R R Bealey & J Randle-Fletcher
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Jay Dearling
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Here's to His-Her Health
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Jay Dearling
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SheetMusicPlus
The Snow Queen A Ballet in 3 Acts ACT 1 JN Holland Performance Soundtrack
Digital Download SKU: A0.1068397 Composed by James Nathaniel Holland. Children,Cont…
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Digital Download SKU: A0.1068397 Composed by James Nathaniel Holland. Children,Contemporary,Holiday,Musical/Show. Full Performance. Duration 2287. James Nathaniel Holland #6533213. Published by James Nathaniel Holland (A0.1068397). Performance mp3 of The Snow Queen A Ballet in 3 Acts, ACT 1 (2 and 3 sold separately) by 21st Century American composer, James Nathaniel Holland. Performance license or permissions given separately. Quality recording that can be used for dance or school productions, score study (piano score https://www.sheetmusicplus.com/title/20664386, full score https://www.sheetmusicplus.com/title/20702723 and/or individual parts all sold separately.) of Hans Christian Andersen's Fairy about two friends, a girl, Gerde, and a boy, Kai, separated by the forces of nature and the girl's valiant rescue of her friend against all odds. This Act 1 contains the Prelude, Dance of the Snow Sprites, Waltz of the Magic Mirror, Innocence and Children at Play, Dance of the Roses, The Dance of the Snowbees, The Conversion of Kai, and The Abduction of Kai by the Snow Queen. .
$17.95
16.75 €
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James Nathaniel Holland
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The Snow Queen A Ballet in 3 Acts ACT 1 JN Holland Performance Soundtrack
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James Nathaniel Holland
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SheetMusicPlus
The Snow Queen A Ballet in 3 Acts ACT 3 JN Holland Performance Soundtrack
Digital Download SKU: A0.1068399 Composed by James Nathaniel Holland. Children,Cont…
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Digital Download SKU: A0.1068399 Composed by James Nathaniel Holland. Children,Contemporary,Holiday,Musical/Show. Full Performance. Duration 2050. James Nathaniel Holland #6533253. Published by James Nathaniel Holland (A0.1068399). Performance mp3 of The Snow Queen A Ballet in 3 Acts, ACT 3 (1 and 2 sold separately) by 21st Century American composer, James Nathaniel Holland. Performance license or permissions given separately. Quality recording that can be used for dance or school productions, score study (piano score https://www.sheetmusicplus.com/title/20664386, full score https://www.sheetmusicplus.com/title/20702723 and/or individual parts all sold separately.) of Hans Christian Andersen's Fairy about two friends, a girl, Gerde, and a boy, Kai, separated by the forces of nature and the girl's valiant rescue of her friend against all odds. This final Act 3 contains the dances, Gerde's Sorrow, Setting out for the Snow Queen's Castle, The Rescue of Kai, The Waltz of the Roses Reprise, and Kai's Joyous Dance.
$14.95
13.95 €
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James Nathaniel Holland
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The Snow Queen A Ballet in 3 Acts ACT 3 JN Holland Performance Soundtrack
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James Nathaniel Holland
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SheetMusicPlus
Waltz for Martha for Violin (with optional Clarinet)
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.1382422 Composed by Philip R Butt…
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Piano,Violin - Level 4 - Digital Download SKU: A0.1382422 Composed by Philip R Buttall. Children,Classical,Romantic Period,Traditional. 9 pages. PRB Music #742662. Published by PRB Music (A0.1382422). After being locked down by Covid, I had almost lost the will to live, let alone go on holiday again outside the UK. Two years before I had had a lovely time in Italy, visiting Rome, Pisa, Puccini's House, Florence, Sienna, and more. Almost at the end of the trip I stayed a couple of days with my dear musical friends in Perugia, where their then 8-year-old daughter, Martha, was making great strides forward on the violin (mum is a concert pianist and teacher, similarly dad, but on the clarinet. I had booked to stay in Cesena where they had moved two, and I had a lovely time here, two, adding Bologna, Rossini's Museum, Rimini and some of the Adriatic coast to my list of places visited. They, too, had had lockdowns, and cancellations, but quite by chance, the weekend I had planned to be in Cesena, was the rearranged date of a special outside concert in the imposing surroundings of Rocca Malatestiana, a medieval fortress than dominates the town. Martha was going to be performing a violin concerto by Rode, and her dad had adapted the orchestral accompaniment, so that the large clarinet ensemble could take its place on the night. It was a wonderful, moving evening, and Martha played so well. I don't think there was a dry eye in the house! When I knew I was visiting them this year, I wrote Martha a little fun piece, with piano accompaniment, that she might have been able to play while I was there. But because of the rescheduled concerto performance, there just wasn't enough time for her to learn and practise the piece with her violin teacher in Bologna. I even added an optional part for clarinet, so dad would not feel left out. Hopefully, one day, I might still hear Waltz for Martha played by its dedicatees! It's a kind of schmalzy Viennese Waltz, in the style of Kreisler and others! You can purchase the piano score and violin part here. The optional clarinet part is available FREE OF CHARGE - by emailing info@philiprbuttall.co.uk.
$10.95
10.22 €
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Violon et Piano
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Philip R Buttall
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Waltz for Martha for Violin
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PRB Music
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SheetMusicPlus
Beyond The Sea
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Comp…
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense â like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head â I was at the end of a 4 year period of separation from my parents owing to the fact that Iâm a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing âBeyond the Seaâ over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasnât seen Finding Nemo?) but the lyrics didnât mean what I thought they meant⦠Theyâre NOT about the ocean, they are about my dad!!! Well, kind of⦠I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaSheâs there watching for meâ¦Itâs far beyond the starsItâs near beyond the moon And the lyrics end with them meeting, âWeâll meet beyond the shore, weâll kiss just like before,â and the song ends with: âand never again Iâll go sailing.â Itâs like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional âscat syllablesâ and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tearsâ¦). All solo sections do not have to be sung as written â soloists can take liberties with the melody as the spirit moves.
$10.00
9.33 €
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Chorale SATB
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Beyond The Sea *INSTRUMENTAL PACK ONLY*
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense â like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head â I was at the end of a 4 year period of separation from my parents owing to the fact that Iâm a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing âBeyond the Seaâ over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasnât seen Finding Nemo?) but the lyrics didnât mean what I thought they meant⦠Theyâre NOT about the ocean, they are about my dad!!! Well, kind of⦠I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaSheâs there watching for meâ¦Itâs far beyond the starsItâs near beyond the moon And the lyrics end with them meeting, âWeâll meet beyond the shore, weâll kiss just like before,â and the song ends with: âand never again Iâll go sailing.â Itâs like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional âscat syllablesâ and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tearsâ¦). All solo sections do not have to be sung as written â soloists can take liberties with the melody as the spirit moves.
$30.00
27.99 €
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Ensemble Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Tobi Crawford
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SheetMusicPlus
Wonderful Words of Life
Large Print Hymnal
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Large Print Hymnal Large Print Hymnal - 125 of the best known hymns and gospel songs in LARGE PRINT (16 pt Ariel) and lower keys. Also includes 30 thoughtful devotionals on subjects such as Fear, Grace, etc. which serve as song and topic dividers. You'll treasure this attractive songbook! New! You asked, we listened: We now offer recordings of the piano accompaniments for the entire book. Each hymn has been recorded in its entirety. A set of 5 CDs to sing along with makes it possible to enjoy group performance of the great hymns anywhere there is a CD player
Song List
: A Child Of The King A Mighty Fortress Is Our God Abide with Me Amazing Grace At Calvary At the Cross Be Still, My Soul Beneath The Cross Of Jesus Beyond The Sunset Blessed Assurance Blest Be The Tie That Binds Break Thou The Bread Of Life Bringing In The Sheaves Christ Arose! Christ, the Lord, Is Risen Today Come, Thou Almighty King Come, Thou Fount Of Every Blessing Come, We That Love The Lord Come, Ye Thankful People, Come Count Your Blessings Crown Him with Many Crowns Day Is Dying In The West Face to Face with Christ My Savior Fairest Lord Jesus Faith of Our Fathers For The Beauty Of The Earth God Be With You God Of Our Fathers God Will Take Care of You Great Is Thy Faithfulness Guide Me, O Thou Great Jehovah Have Thine Own Way, Lord! He Leadeth Me He Lives He's Got The Whole World In His Hands Heavenly Sunlight Hiding In Thee His Eye Is On The Sparrow His Name Is Wonderful Holy, Holy, Holy How Firm A Foundation How Great Thou Art I Am His And He Is Mine I Am Thine, O Lord I Have Decided to Follow Jesus I Know Whom I Have Believed I Love To Tell The Story i need Thee Every hour In Christ There Is No East Or West In the Cross of Christ In the Garden It Came Upon the Midnight Clear It Is Well With My Soul Ivory Palaces Jesus Calls Us Jesus Is All The World To Me Jesus Loves Me! Jesus, Savior, Pilot Me Jesus, the Very Thought of Thee Joy To The World Just A Closer Walk With Thee Just As I Am, Without One Plea Lead Me To Calvary Leaning on the Everlasting Arms Let The Lower Lights Be Burning Love Divine, All Loves Excelling More About Jesus Would I Know More Love To Thee My Faith Looks Up To Thee My Hope Is Built On Nothing Less My Jesus, I Love Thee Near The Cross Near to the Heart of God Nearer, My God, to Thee No, Not One! Now Thank We All Our God O Come, All Ye Faithful O For A Heart To Praise My God O for a Thousand Tongues to Sing O God, Our Help In Ages Past O Happy Day Oh, How He Loves You and Me! Oh, How I Love Jesus O Little Town of Bethlehem O Love That Will Not Let Me Go O Master, Let Me Walk With Thee O Worship the King Only Trust Him Onward, Christian Soldiers Open My Eyes, That I May See Pass Me Not Rescue the Perishing Revive Us Again Rock Of Ages Safe In The Arms Of Jesus Saved By Grace Savior, Like a Shepherd Lead Us Shall We Gather at the River? Showers Of Blessing Silent Night! Holy Night! Stand Up, Stand Up for Jesus Standing On The Promises Sweet By And By Sweet Hour of Prayer Take My Life and Let It Be Take The Name Of Jesus With You Take Time To Be Holy Tell Me The Old, Old Story The Bond Of Love The Church In The Wildwood The Church's One Foundation The Light Of The World Is Jesus The Lord's My Shepherd, I'll Not Want The Old Rugged Cross This Is My Father's World 'Tis So Sweet to Trust in Jesus Trust and Obey Turn Your Eyes upon Jesus Were You There? What a Friends We Have in Jesus When I Survey the Wondrous Cross When Morning Gilds the Skies When The Roll Is Called Up Yonder Wonderful Words Of Life
$19.95
18.61 €
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Wonderful Words of Life
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SheetMusicPlus
Symphony No. 8 ... City of Light (2011) for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Ãlysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée DâOrsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at LâOpéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You canât beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozartâs Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 ⦠City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Ãlysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
9.32 €
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Orchestre de chambre
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Thomas Oboe Lee
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Symphony No. 8 ... City of Light
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Thomas Oboe Lee
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SheetMusicPlus
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with itâs force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didnât leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
30.74 €
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2 Pianos, 4 mains
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achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
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Germaine Tailleferre
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Germaine Tailleferre: Trois Études for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
Nevermore
Instrumental Solo,Saxophone - Level 4 - Digital Download SKU: A0.983172 Composed by…
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Instrumental Solo,Saxophone - Level 4 - Digital Download SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. Individual part. 18 pages. Wadley Publications #4638491. Published by Wadley Publications (A0.983172). Nevermore for Unaccompanied Saxophone by Craig Wadley. As this is an unaccompanied piece, ANY saxophone is acceptable. While most soloists will undoubtedly opt to use alto or soprano, the composer welcomes renditions of this piece on any of the larger saxes as well. This piece was inspired by Nevermore: An Evening With Edgar Allen Poe, a single act play featuring Jeffrey Combs. My good friend, Dr. Brent Bristow of Arkansas State University, Beebe, convinced me to go see the play when it was presented there in March of 2018. That performance by the legendary Mr. Combs inspired this piece. Why unaccompanied saxophone? Brent Bristow and I have been close friends since high school, and since he is the one who convinced me to see this show, and given that he plays classical saxophone (yes, that IS a thing!), I figured saxophone would kill two birds with one reed⦠or something like that. The show itself is a one-man performance, so thatâs why this piece is unaccompanied. I toyed with the notion of including some text from the show. Eventually, I decided to go with The Raven, which is featured prominently in Combsâ monologue. But I didnât want to RELY on The Raven, so I wrote the piece in such a way that it can be performed with OR without the narrator. I took a bit of inspiration from Bachâs cello music and brought in some more modern elements such as shifting meters and limited use of slap-tongue and multiphonics to keep things interesting. No altissimo is used.This work would make for excellent solo repertoire at the collegiate level, while still being potentially accessible to advanced high school players. If the narrator is used, this work would also be great as part of a Halloween/horror variety show!You may note that the mp3 demo preview uses a cello sound (placing the transposition in the range of the baritone sax, though again, any saxophone is acceptable). A cello sound is used because samples of saxophone sounds generally leave much to be desired, and they are most commonly based on jazz tone qualities which would be completely inappropriate for this piece.
$17.99
16.78 €
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Craig Wadley
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Nevermore
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Wadley Publications
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SheetMusicPlus
Heritage Hymns
Large Print Hymnal
Large Print Hymnal
Song List
: A Mighty Fortress Is Our God Abide with Me Alas! And Did My Savior Bleed? Amazing Grace An Evening Prayer At Calvary At the Cross Beulah Land Beyond The Sunset Blessed Assurance Blest Be The Tie That Binds Break Thou The Bread Of Life Christ Arose! Christ, the Lord, Is Risen Today Come, Thou Almighty King Come, We That Love The Lord Come, Ye Thankful People, Come Crown Him with Many Crowns Face To Face Fairest Lord Jesus Faith of Our Fathers God Be With You God Will Take Care of You Great Is Thy Faithfulness Guide Me, O Thou Great Jehovah Have Thine Own Way, Lord! He Is Coming Again He Leadeth Me He Lives Hiding In Thee His Eye Is On The Sparrow Holy, Holy, Holy How Can I Help but Love Him? How Firm A Foundation I Am His And He Is Mine I Am Thine, O Lord I Love To Tell The Story In the Cross of Christ In the Garden It Came Upon the Midnight Clear It Is Well With My Soul Ivory Palaces Jesus Calls Us Jesus Is All The World To Me Jesus, Keep Me Near the Cross Jesus, Lover of My Soul Jesus Saves Jesus, Savior, Pilot Me Joy To The World! Just As I Am, Without One Plea Leaning on the Everlasting Arms Love Divine, All Loves Excelling Man Of Sorrows, What A Name More Love To Thee My Faith Looks Up To Thee My Hope Is Built On Nothing Less My Jesus, I Love Thee Nearer, My God, to Thee Near to the Heart of God No, Not One! O Come, All Ye Faithful O God, Our Help In Ages Past O Happy Day O Little Town of Bethlehem O Worship the King Oh, How I Love Jesus Only Trust Him Onward, Christian Soldiers Open My Eyes, That I May See Praise Him! Praise Him! Rescue the Perishing Revive Us Again Rock Of Ages Savior, Like a Shepherd Lead Us Silent Night! Holy Night! Standing On The Promises Sweet By And By Sweet Hour of Prayer Take The Name Of Jesus With You Take My Life and Let It Be Tell Me The Old, Old Story The Church In The Wildwood The Church's One Foundation The Haven Of Rest The Ninety And Nine The Old Rugged Cross The Way Of The Cross Leads Home There Is A Green Hill Far Away There Shall Be Showers Of Blessing 'Tis So Sweet to Trust in Jesus Trust and Obey What a Friends We Have in Jesus When I Survey the Wondrous Cross When The Roll Is Called Up Yonder Whiter Than Snow Wonderful Words Of Life
$16.95
15.81 €
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Heritage Hymns
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SheetMusicPlus
When We Face An Unknown Future
Chorale 2 parties
Choral Choir (SA) - Level 3 - Digital Download SKU: A0.1029846 Composed by Veniamin…
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Choral Choir (SA) - Level 3 - Digital Download SKU: A0.1029846 Composed by Veniamin Blokh. Praise & Worship,Romantic Period,Sacred. Octavo. 7 pages. Veniamin Blokh #5753547. Published by Veniamin Blokh (A0.1029846). A song for choir and piano written on a reflection of the situation with the COVID-19 in the world. Words by Carolyn Winfrey Gillette:When we face an unknown future that we can't imagine yet,when the closeness we have treasured turns from blessing into threat -As we miss our friends and loved ones, as we crave community,may we look, God, in this season, for a whole new way to be.Jesus faced the lonely desert as a time to look within.There he met such trial and conflict; there he knew you were with him.In this time of separation when we miss the life we've known,may we hear your voice proclaiming: I am here! You're not alone.May we cherish those around us as we never have before.May we think much less of profit; may we learn what matters more.May we hear our neighbors' suffering; may we see our neighbors' pain.May we learn new ways of offering life and health and hope again.God, when illness comes to threaten, and when so much here goes wrong,may we know this thing for certain - that your love is sure and strong.You're beside us in our suffering - and when times are surely tough,we may face an unknown future, but it's filled, Lord, with your love.
$4.99
4.66 €
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Chorale 2 parties
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Veniamin Blokh
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When We Face An Unknown Future
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Veniamin Blokh
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SheetMusicPlus
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